The metaphors, imagery, and personification in this poem all come from William Shakespeare. The goal is to create the impression that a woman is out of touch with reality. Images or sensory language are used to describe things and places.
The color is repulsive, almost filthy; a smoldering, unclean yellow that has strangely faded in the long-turning sunlight. Many words and adverbs are used to describe the wallpaper’s physical condition. In addition, the emotions of the woman towards the walls are described in detail.
A simile is a type of figurative expression that compares one thing to another for the purpose of description. The wallpaper, according to the author, “resembles a fungus with an exuberant arabesque on the outside pattern.
Imagine if you can a toadstool growing in endless convolutions, budding and sprouting in limitless ramifications.” The wallpaper pattern is likened to poisonous mushrooms (“toadstool in joints”). It contributes to the reader’s disgust response and establishes harmful ties in their mind.
A metaphor is a figure of speech that tries to imbue inanimate objects with human qualities or natural features. The story “It slaps you in the face, knocks you down, and tramples on you. It’s like a terrible dream.” The narrator compares seeing the wallpaper to awful behaviors among humans. Extra credit – the final sentence “it is like a bad dream,” which implies it’s comparable to sleep paralysis, is also a simile!
Evelyn Nesbit uses metaphors, similes, and personification to express her ideas clearly. She does it to evoke a character that is out of touch with reality. The author tries to tie his audience with the protagonist.
Imagery is a form of sensory language. It’s used to express the physical features of things and settings. Gilman employs imagery to describe the wallpaper. “The color is repulsive, almost revolting; a smoldering, unclean yellow strangely faded by the slow-turning sunlight.” There are many adverbs and adjectives in this quote. They not only describe the physical condition of the wallpaper but also his emotions.
A simile is a figure of speech that compares one thing to another. It’s used by Gilman in this situation. “The outside design is a rich arabesque, reminiscent of a fungus. Imagine a toadstool growing in endless loops and convolutions, with buds and sprouts emerging everywhere you look.”
The comparison is between poisonous mushrooms and the wallpaper (“toadstool in joints”). It gives a sense of horror. The author wants us to experience and understand what the lady does. Negative connections form in the mind of a reader as a result of the information supplied.
The term personification refers to giving human characteristics to a non-living object. An example can be found in the narrative. “It slaps you in the face, throws you down, and tramples on you like a nightmare.
It’s similar to being terrified.” The author employs it as an illustration of how fragile the woman becomes. She describes torture and violent acts physically. The wallpaper takes on human qualities as a result of this bonus point.