Figurative Language In Wuthering Heights

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Make the word choices more engaging and dramatic, as is done in Wuthering Heights. Alliteration, hyperbole, metaphor, onomatopoeia, paradox, and simile all appear in the narrative.

Emily Brontë employed a wide range of figurative language in Wuthering Heights. As a result, she enlivened and brightened the text for the reader. Irony, hyperbole, imagery, similes, and metaphors are all frequent occurrences in the work.

On the other hand, the usage of figurative language allows the audience to conceive of the creative representations. This isn’t the first time I’ve heard it. In this piece, Emily Brontë utilized a variety of creative techniques.

Partly, this is why the book has been so popular among subsequent generations of readers. If you’re wondering what these methods are called, look at these examples. Symbolism, personification, irony, and imagery all have a way of making things more meaningful.

The novel is full of symbolism. The characters’ attributes and emotional states are represented by dogs and the weather. When Lockwood gets lost in a blizzard, it represents Catherine’s ghost’s terrible image.

Metaphors, like similes and personification, are frequently employed in the tale. It sets out to put obstacles in the characters’ paths. There are a lot of thresholds, doors, and windows.

The protagonists strive to find out what lies beyond them. Windows and doors serve as metaphors for protection in some cases. In houses, the people who live there are unable to fly away because they resemble dungeons that will keep them trapped for eternity. They will be imprisoned there permanently.

Another example of figurative language in the book is Gaze. Characters frequently look at one another in private. People go to one another’s houses to see how they live. Their eyes attempt to communicate something. There’s a bit of closeness in these looks, as well as anxiety, dread, and fear.

Allusions are figures recognized to the audience from previous stories. Brontë makes use of philosophical, biblical, literary, and legendary references.

Shakespeare’s King Lear is referenced in chapter 2. Linton falls into the Slough of Despond – Bunyan’s bog – in chapter 22. Biblical allusions include references to Pharisees, Noah, Lot, Jonah, and other characters. Mythical allusions are those to Hercules and Milo. The first is referred to twice when it comes to power; the second is thought of as having a bad fortune.”

Similes are widely utilized in the book. They add a sense of excitement and color to the narrative. In chapter 3, Heathcliff’s face is “as white as the wall behind him.” It sounds much nicer than “his face was pale.”

The air in chapter 4 is “chilly as if it were made of impalpable ice.” It’s easier to visualize than something being merely chilly. Simply said, Brontë did not hold back when it came to figurative language use in her story. This technique added verisimilitude to the narrative’s specifics.