The entire appearance of the creature was frightening and disgusting. Victor began to be afraid of his work after seeing it, fleeing from the apartment. People created a picture of Frankenstein’s face by viewing the movies in addition to the book’s descriptions. Individuals were exposed to harm through these on-screen depictions, as well as being unpleasant and scary.
Victor, a young student, wanted to create something beautiful that mimicked a real person. He tried not to think about his mother’s death. He cut himself off from the family and began experimenting.
Victor spent two years testing and perfecting methods for success. The consequences were far more serious than anticipated. Frankenstein named the creature “the monster” because of its awesome visage, which frightened him into hiding from it.
The beast in the book did not have a face. It was hard to look at it because it radiated terror and fury. The monster’s face was devoid of human features. An ugly visage may be looked at and accepted, regardless of how deformed, burned, or scarred it is. The monster’s countenance was so horrible that it appeared to be non-existent.
The film was one of the most popular, and Robert De Niro’s performance as Victor Frankenstein’s creation is among the finest on-screen. The actor played his part wonderfully, with the crew doing a fantastic job in making him disgusting. De Niro was cast as the monster, and his appearance was severely disfigured and stitched together.
In 1931, a film about Frankenstein and his creation was released. Boris Karloff played the lead role. The monster in the book was recreated using his artistic talents and appearance.
His large build and height made him resemble the creature described in the book. Multiple scars and stitches on the face added to his resemblance to the novel’s monster. Makeup artists paid close attention to the Monster’s eyes, which were as frightening as they were in the book.
To summarize, Frankenstein created the monster for the purpose of “playing God.” He attempted to create a beautiful human being but instead produced an ugly and savage beast.
The author offered a precise description of the creature’s face in her narrative. Her speech showed how Frankenstein felt upon first seeing it. Many motion pictures have done an excellent job of conveying the monster. They made it simpler for others to imagine the creature and understand the novel’s importance.
Despite the growing appeal of the panchromatic film, makeup artists would continue to make judgments based on black and white limitations. Pierce’s decision to paint Karloff’s skin a greyish green was deliberate in order to take advantage of these restrictions and separate the monster from the rest of the cast by making him appear ghostly white on film.
Karloff’s part in the creation of ‘Pierce,’ as well as Universal’s 1931 blockbuster, would go on to solidify the monster as part of pop culture. As Karloff appeared on-screen wearing green face paint and color spread across the screen, Hollywood once again developed its own mythology.