- stage directions;
- unhappy ending;
The unhappy ending is the most common plot pattern. It’s how Shakespeare ended Hamlet’s life in the play. Hamlet may be considered both a comedy and a tragedy, so this method seems appropriate in the Shakespearean style.
He would likely use an unhappy ending. In this context, the term “unhappy ending” refers to a plot structure in which the protagonist overcomes obstacles, overcomes odds, and accomplishes the goal, but usually in a less than ideal way.
An unhappy ending saves text because it’s got everything you want – a climax in the form of tension or conflict that resolves when things go wrong for our hero instead of right. It keeps us engaged because we desperately want our protagonist to win (or what does it mean?)
There are also plenty of other endings that might work for Hamlet, who is anything but 100% heroic – at least potentially less satisfying ones like an ironic tragedy where one of his characters makes some sort of pivotal error.
The last scene is when this dramatic concept manifests itself. Unlike a negative turn of events or suspense, an unhappy ending is a plot device that can be used to bring an end to the tale. It doesn’t advance the story but instead tightens up the loose ends. As a result, it’s reasonable to think that an unhappy conclusion is an answer. It also serves as the resolution to the conflict in Shakespeare’s tragedy.
Hamlet is faced with a morally contentious choice throughout the play. Should Hamlet avenge his father’s death by murdering uncle Claudius or take his own life? Hamlet’s tragic death at the end of the story would solve this problem. The protagonist resolves the tale plotwise by selecting one of the options for ethical issues. The tragedy is defined as opposed to comedy due to a moral conflict and a particular conclusion.
A Shakespearean tragedy structure necessitates the death of a character. It generally comes down to a moral or ethical dispute, which often results in death. Hamlet falls into the traditional format of a tragedy.