Hamlet’s views on ladies are extremely critical and suspicious. Hamlet’s Act III offers a passage that best supports my assertion. That is to say, this portion: “I’ve heard of your works enough; God has given you one face, and you make yourself another. You jig and lisp, name God’s creatures, and indulge in wantonness.”
“Go to,” continues the poem, “I’ll no more do it; it has driven me crazy. I propose that we have no more marriages; those who have married already except for one shall continue to live; the rest will keep as they are. Go to a nunnery.” This line has several layers of meaning:
- The first thing to notice is Hamlet’s confidence in his own intellect, which is representative of society’s general attitude towards female intellect. Finding himself in a position to assess all women’s intellectual ability is telling. It serves as evidence for his conviction that he was superior to another gender.
- Consider Hamlet’s final sentence, “to a nunnery, go,” in which he emphasizes the imperative tone. This example of Hamlet’s personal viewpoint on women shows where they stood at that time. The disempowerment of female authority and indifference to a woman’s voice was widespread. Elizabethan drama reflects these people’s lack of control over their own destinies. Women were not permitted to perform in the theater during this period. As a result, young men played female parts. Readers can comprehend the absence of women over their bodies and lives even in this area.
- Furthermore, Hamlet’s comment in Act III that “women are the source of all my woe” demonstrates his complex attitude towards women. He blames another gender for causing him to go insane. According to him, women drove him insane by being mentally debauched.
- Hamlet insists that Ophelia is sent to a convent, despite her deception. It can also be seen as an attack. In Elizabethan slang, the term “nunnery” had two meanings. The first was a location where nuns resided; the second was a “brothel.”
- Hamlet’s women are depicted as voiceless and powerless figures. They, nevertheless, have an influence on male characters. According to Hamlet, a bad one. There are several interpretations for why he feels this way. For example, they may consider Hamlet’s statements through the Freudian Prisma. The essay Hamlet: A love story considers this idea. It says that Hamlet’s conflict with women is caused by the Oedipus complex. His sexual desire and its repression result in such harsh criticism.
This portion of the play may also be viewed through a formalist perspective. The investigation is then quite different. Hamlet’s misogyny is evident in his blasting of Ophelia. His fury, on the other hand, stems from his conflict with Gertrude, his mother. He resents her and has doubts about Ophelia due to her gender.
Hamlet was about to execute Claudius when he discovered that the king was praying, therefore Hamlet feared that he would kill him just as his sins were forgiven, sending him straight to Heaven, which would negate the goal of revenge. It is then that he determines to wait until Claudius reverts to his wicked ways before killing him, ensuring that Claudius receives all of Hell’s torments.
I’m not sure if it would be “blames his mother’s decisions.” Hamlet thinks that his mom is morally frail. He believes she is solely motivated by her desire to preserve her royal title as Denmark’s queen. He suspects that because of her frailty, her decisions are frequently questionable and only benefit herself rather than the people or her country.