Differences Between Great Gatsby Movie And Book

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The movie by Baz Luhrmann differs significantly from the novel. The tale told in the film differs from the original text in several locations. They are, for example, at the beginning of the movie and at an apartment party. However, the film’s crew did a fantastic job of recreating the classic narrative.

There are several components in this section. Nick’s claim that The Great Gatsby is entirely composed by the narrator isn’t accurate for the film. As Fitzgerald makes it clear, Nick is telling a tale about Gatsby in the film. However, for the moviegoer, this information isn’t particularly obvious. Luhrmann, on the other hand, continues to show Nick as he writes, types and arranges the manuscript throughout the picture.

The screenwriters deleted certain subplots from the story in order to follow it. Nick and Jordan Barker’s relationship, for example, is absent from the movie. These two individuals later became a couple before splitting up. This portion of the tale, on the other hand, is not depicted in the film.

Finally, the novel does not go into detail about the death of Jay Gatsby. As a result, the film director decided to add more tension by describing it in great detail. In the motion picture, Gatsby is shown to be dying with Daisy believing that she will leave Tom for him. This does not happen in the book, though.

The voice-over of Nick Carraway is positioned within a damaged Nick who is undergoing treatment for an addiction to alcohol. Although Carraway appears to be a cautious and thoughtful guy, this feels wrong because he is telling Nick’s tale. It seems unlikely that we would see Gatsby in an odd mental condition after his death, particularly when Luhrmann also provides the character with writing The Great Gatsby.

In the book, we learn that Jordan Baker is an athlete right away, just like the rest of the cast. Her entire saga is sped up in the book, and her unusual love affair with Nick is removed for a time in the film, but she’s a blank canvas we never get to discover much about in the movie. Her personality becomes considerably more intriguing and appealing as a result of this.

Daisy is a pale imitation of her book persona, and she also lacks the fire and petty spite that drives her story forward. She does not act as a strong will or a damsel-in-distress figure that does not belong to the character, or Carey Mulligan, either. In the novel, she’s carefree. She’s more impulsive in this film.

We get a hint that Gatsby is wistful and waiting for someone before Carraway even arrives in New York, getting wasted. He sees his neighbor on the dock late at night, staring out across the harbor. It’s easy for audience members who have read the novel to figure out what he’s thinking, but this little moment adds to the book’s big revelation.

The Great Gatsby’s narrator, no matter whether it’s The Great Gatsby or The Great Gatsby, uses the same voice: a fluid and uninflected delivery with an air of studied formality. Both are fascinating in their own right thanks to how far they diverge from typical film narration.

After lunch with Gatsby and Mr. Wolfsheim, Luhrmann transports us to a secret doorway in a barbershop that leads to a speakeasy brimming with dancing females and at least somewhat dodgy males. To explain the theme of corruption, the police commissioner is stationed on the scene. It’s a little overdramatic, but isn’t it great to see a speakeasy in a film set during prohibition?

When Gatsby is scorned by Tom in New York, much of the conversation is similar. When Gatsby begins to lose control and realize that Daisy may be present in the room but out of his grasp, his “face that could kill a man” transforms into a childish freak out where Gatsw yells, “Shut up.” The childish act is a nice callback to when Carraway chastises him for acting like a child before he meets Daisy for tea.

By the conclusion of the film, Tom becomes a supervillain, painting Wilson’s mind with a murderous image and convincing him to commit the evil act. Changing Tom from an unpleasant guy into a ruthless adversary appears lazy and too easy for the actor.

At the conclusion, Gatsby goes swimming while waiting for Daisy to call, and he is shot and carried away from his goal—to be successful, to win the lady. Though we find out it’s Carraway later on, for a split second we see Gatsby’s brilliant future resurface as his life fades away, and we get to wonder if Daisy is on the line and what she would say if she were.